I was most intrigued by how they constructed the spaces for the girls to lead and how they also constructed the girls’ leadership within those spaces. This camp seemed to go farther than YWLP in the sense that the girls had more agency and free-reign when to came to the decision-making processes. It was still a program based on community, encouragement, and girl power, just like YWLP, but this was a space where there were fewer guidelines and there was more freedom. The girls here were receiving more suggestions than they were receiving guidelines.
The girls formed bands, created band names, wrote music and lyrics, and then performed all on their own. There were teachers to help the girls tackle the basics of different instruments, and there were facilitators assigned to each band to make sure everyone in each group was being heard, but the girls had ultimate power when it came to how they were going to express themselves through their music. It showed me the possibilities past even the shared-power system to a place where girls seemed to have even more power than adults. It was certainly not as chaotic as I think I would have originally anticipated had I known more about the system of power within which the camp operates before watching the film.
It definitely made me reconsider the Ophelia discourse we’ve been reading and talking about. Especially after having discussed the articles in class today, it made me realize that perhaps even though a moment-of-intervention seems very pertinent to every girl’s success as a leader, there is always room for more compromise, especially within whatever power system is already in place while working with the girls. Letting the girls work with girls for the furthering of the girls’ movement is a great first step.